I actually preferred the songs as they are played in this concert to their studio-recorded counterparts (which is not to say that the songs on her albums and EPs are not also praiseworthy). The acoustic quality of this concert was excellent, with both the high quality of a studio-produced song and all of the endearing mistakes and changes that come with live performances. KP wrote this song in 2018 about American actress and singer (and her now ex-girlfriend) Amandla Stenberg. For this song, KP leaned back in her chair to cradle her electric guitar, letting loose a weeping ballad of love and wanting. Once I had been thoroughly floored by “Prophet,” King Princess started talking about how her third and final song, “ Homegirl,” is her “secret fave on the record.” I didn’t think it was as showstopping as “Prophet,” but it’s hard to deny the incredible atmosphere that KP is able to create with her music, even if she is just playing at home. As KP explained after the end of the song, this song is about “the music business and entertainment business.” Particularly at the end, KP’s voice turned full of longing and desperation. She also managed to pour even more emotion into this song than the first one. KP traded the piano in for a sky-blue guitar and her jaunty strumming during the chorus was impossible not to nod my head to. Her second song, “ Prophet,” was my favorite of the three. In the version of this song on KP’s album Cheap Queen, the ending is sung in part by Canadian musician Tobias Jesso, Jr., but KP had no trouble carrying it on her own during this concert.Īfter the song ended, KP spread her arms to her surroundings and said “Welcome to the quarantine shed!” Gesturing to her instruments (the electric piano, as well as two blue electric guitars resting on a fluffy white chair), she announced that she’d brought “various little toys to play with to bring musical joy.” The ending of the song in particular was heart wrenching KP’s voice wavered with sorrow and uncertainty as she repeated the final line, “Is this how it’s gonna be?” over and over again. I will admit, I only knew one of King Princess’ songs before I watched this concert (“ 1950”) so I wasn’t sure I would enjoy it, but this song had me hooked. In the style of all Tiny Desk Concerts, King Princess (KP) dove right into the music, beginning the concert with her song “Isabel’s Moment.” The song was slow and accompanied by a small electric piano (paired with a comically large yellow amp). King Princess, the 21-year-old indie pop artist from Brooklyn, put on a show from Hawaii on April 8, 2020. NPR has recently introduced “Tiny Desk (Home) Concerts,” which showcase artists performing from their homes. NPR Tiny Desk Concerts are known for offering short, personal concerts from artists of all music genres and backgrounds, and the pandemic hasn’t stopped them from doing just that. King Princess performs about loss, longing, and love in her Tiny Desk (Home) Concert We at Lancer Media have put together a list of some of our favorite concerts. It’s a rare glimpse into a famous artist’s life. During these troubling times, many artists have set up cameras in their homes to record digital concerts to provide entertainment for their fans. The coronavirus pandemic forces a new reality of life under self-quarantine–for both audiences and performers. ‘Galveston’ is about taking Juneteenth, which is normally a celebration of a very specific set of events - the manumission from slavery of Black folks - and approaching it from a different angle.By Jacob Blue and Lancer Media Staff | May 18, 2020 “There’s only so much utility you can have in music, but it all boils back down to education and instruction. “I try to make things that establish emotion and utility so that not only can people feel it, but they can actually do something with it,” said the Grammy-winning rapper. The 16-song playlist also features reggae-dancehall singer Kranium, gospel singer Koryn Hawthorne and Latin rapper-singer Eladio Carrion.įiasco said he wanted to take a different approach in creating the original song “Galveston” for the playlist. “Being able to create covers and original music with artists from all genres of music is the perfect way to continue to celebrate the Black experience and continue our collective work for true freedom.” and the world,” said Ebro Darden, global head of hip-hop and R&B at Apple Music. “Music is the tie that binds our Black experience in the U.S.
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